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HARMONY | CATALOGS | 1965 | PAGE 17

Harmony Monterey, Master, Archtone and Broadway archtop acoustics

1965 "Where there's music there's Harmony" catalog, page 17

Both the 950 and 1215 were available as tenor (4 string) guitars at the same price, models TG950 and TG1215 respectively

1965 Harmony guitar, bass and amplifier catalog, page 17: acoustic Golden Harmony
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Harmony Monterey, Master, Archtone and Broadway for sale

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VINTAGE 1950s HARMONY GUITAR NECK PROJECT

VINTAGE 1950's HARMONY GUITAR NECK PROJECT

Dearborn Heights, Michigan, 481**, UNITED STATES OF AMERICA

$150

LATE 1950's early 1960's Harmony USA Archtop Acoustic guitar project neck
GUITAR PROJECT NECK ONLY
I Will ship the same business day!
... more
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Vintage Silvertone Harmony Archtop Acoustic Guitar 6 Strings 1950s *Local Only!*

Vintage Silvertone Harmony Archtop Acoustic Guitar 6 Strings 1950s *Local Only!*

Saint Petersburg, Florida, 337**, UNITED STATES OF AMERICA

$300

Guitar has a few cosmetic issues: scratches and spots, 2 cracks on the face right side, and a small part of the body unglued on the bottom corner side + has dust inside the body. This is what I noticed during my inspection. Remember this 70 years old guitar, and it's still playing well!
Local pick up only!
Condition is Used, Fair
Please see all the photos for details.
Selling AS IS!
... more
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Vintage 1950s Harmony H950 Monterey Arctop Guitar (In Store Pick-up  (ML1074742)

Vintage 1950s Harmony H950 Monterey Arctop Guitar (In Store Pick-up (ML1074742)

Milford, Ohio, 451**, UNITED STATES OF AMERICA

$380

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Harmony H1213 Archtop Guitar Top

Harmony H1213 Archtop Guitar Top

New Haven, Indiana, 467**, UNITED STATES OF AMERICA

$125

This vintage Harmony H1213 archtop guitar top is a rare gem for any musician or collector. Crafted with care and attention to detail, this top is perfect for those who seek a unique and high-quality sound. The brand Harmony is known for their exceptional quality and this guitar top is no exception
... more
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1950s VINTAGE SILVERTONE  /  Harmony ARCHTOP HOLLOW BODY ACOUSTIC GUITAR

1950's VINTAGE SILVERTONE / Harmony ARCHTOP HOLLOW BODY ACOUSTIC GUITAR

Buffalo, New York, 142**, UNITED STATES OF AMERICA

$500

This is a really nice early Silvertone Archtop Guitar. This guitar is really clean. There is some minor checking on the edges and back. Light play wear. But Overall, This is really in great condition. The action is also really good. I was able to play chords and solo with no problem. The intonation was also pretty good and was able to tune and play without anything sounding out of tune. This still might need some minor adjustment. But is being sold as is. But this is in awesome condition. Not ... more
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Harmony H51 Vintage 1950s Electric Jazz Guitar w /  Gibson P-13 pickup

Harmony H51 Vintage 1950's Electric Jazz Guitar w / Gibson P-13 pickup

Oswego, Illinois, 605**, UNITED STATES OF AMERICA

$1400



Harmony H51 Vintage 1950's Electric Jazz Guitar w / Gibson P-13 pickup
Any questions, please feel free to contact us!
Great item by DeMont Guitars!
Returns not accepted from overseas and buyer should assume item is 'as-is' please feel free to ask any and all questions prior to auction end. Please email if you plan on bidder, or would like to purchase item for out-of-USA delivery
WE DO NOT DO PARTIAL REFUNDS
will accept most returns - return shipping and / or original ... more
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Vintage 1950s Harmony USA Roy Smeck Lap Steel Guitar Body Neck Husk H7 Project

Vintage 1950s Harmony USA Roy Smeck Lap Steel Guitar Body Neck Husk H7 Project

Mobile, Alabama, 366**, UNITED STATES OF AMERICA

$300

Vintage 1950s Harmony Roy Smeck lap steel guitar body / neck. Typical vintage wear but looks pretty good for being sixty-something years old. Lovely finish checking throughout. The photos do a much better job of showing cosmetic condition so please view them carefully. Original bridge and plastic control plate are included. Don't have original screws for control plate. Black top piece has separated slightly from the base at the treble end corner (please see photos. A super worthy ... more
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1950s Stella / Harmony H929 Parlor Acoustic Guitar Sunburst Finish

1950s Stella / Harmony H929 Parlor Acoustic Guitar Sunburst Finish

San Diego, California, 921**, UNITED STATES OF AMERICA

$495

1950s Stella / Harmony H929 Parlor Acoustic Guitar Sunburst Finish
This Guitar Is In Very Good Condition With Normal Light Wear Visible For Its Age (See Photos)
Located At Imperial Vintage Guitars Orange
Fully Playable With Medium Action
No Cracks Or Breaks Visible
Original Frets Are In Good Condition
Neck Has Nice Amount Of Relief
Original Bridge And Tailpiece
Nut Width 1 73 "
Neck Depth 0 89" At 1st Fret, 1 09" At 10th Fret

Does Not Come With ... more
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vintage harmony broadway guitar

vintage harmony broadway guitar

Baker, Montana, 593**, UNITED STATES OF AMERICA

$200

Vintage Harmony Broadway Acoustic Guitar. Shows signs of age in the finish but has a very nice sound to it. No cracks in the wood body that I can see. Tuners have been replaced and has a new set of strings. Note the repair where the neck hits the body. I've had this guitar for over 20 years and this repair was made prior to me owning it. It has had no effect on it's sound or playability. It holds a tune very well. Really cool designed old guitar!... more
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Harmony Monterey 1960s 2-Color Sunburst Mandolin (no case)

Harmony Monterey 1960s 2-Color Sunburst Mandolin (no case)

Hicksville, New York, 118**, UNITED STATES OF AMERICA

$250

Harmony Monterey 1960s 2-Color Sunburst Mandolin (no case)
Hey now! You are looking at a vintage Mandolin
This is a 1960s Harmony Monterey 2-Color Sunburst Mandolin (no case)
It weighs 1 4 lbs; 14?? scale; 1 78" nut width
It is in functioning playable condition with visible wear and tear
Condition includes visible scuffs on the body, headstock, neck and back of the body. Frets are rusted, and the nut in the headstock requires replacement. The strings are set low and in tune ... more
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Harmony Broadway Steel Reinforced Neck Guitar-Gator Hard Face  NEW Case

Harmony Broadway Steel Reinforced Neck Guitar-Gator Hard Face NEW Case

Los Angeles, California, 900**, UNITED STATES OF AMERICA

$1000


Description:
This vintage Harmony Broadway steel-reinforced neck guitar is a rare gem for collectors and musicians alike  
With a classical body type and flat top soundboard style gator hard faced, this guitar is perfect for right-handed players who want to explore the world of music
It's in extremely good condition except for very minor scuffs that are hardly noticeable
The 6-string configuration and Harmony Broadway brand make this guitar a unique addition to any ... more
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Stella 1950s Harmony Mandolin (Used)

Stella 1950's Harmony Mandolin (Used)

Duncan, Oklahoma, 735**, UNITED STATES OF AMERICA

$412

The Stella 1950's Harmony Mandolin is a vintage gem that will transport you to the golden age of music. Made by Harmony in the USA, this mandolin has a solid spruce top and mahogany back and sides, delivering a warm and resonant tone. Its classic F-style design is complemented by an eye-catching sunburst finish and elegant binding
With its comfortable neck profile and smooth playability, the Stella 1950's Harmony Mandolin is a must-have for any mandolin player or collector
... more
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Harmony Rocket H53 Luthiers Special Project 1950s 1960s

Harmony Rocket H53 Luthiers Special Project 1950s 1960s

Utica, New York, 135**, UNITED STATES OF AMERICA

$250

Husk with tuners and a strap button. One tuner gear and shaft is missing. There is a large crack in the lower side near the input jack. It looks like it was dropped. It is repairable by a skilled luthier. Does not appear to have any extra mods or holes. cosmetically it is very chewed up and faded. Truss rod does work

Ships fully insured and packed with care
... more
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Vintage 1947 Harmony Monterey Archtop Acoustic Guitar Sunburst H996 F-47

Vintage 1947 Harmony Monterey Archtop Acoustic Guitar Sunburst H996 F-47

Greenfield, Massachusetts, 013**, UNITED STATES OF AMERICA

$375

This vintage Harmony Monterey Archtop Acoustic Guitar is a rare gem for any guitar enthusiast. With its beautiful sunburst finish and classic design, this guitar is sure to catch the eye of any player. Made in the United States in 1947, this guitar is a true piece of history

Featuring a 6-string configuration and a right-handed dexterity, this guitar is perfect for any player looking for a classical sound. The archtop soundboard style adds a unique touch to the overall design, making... more
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1950s 1960s Harmony Kay Silvertone Airline NOS Vintage Trapeze Tailpiece! P241

1950s 1960s Harmony Kay Silvertone Airline NOS Vintage Trapeze Tailpiece! P241

Grand Rapids, Michigan, 495**, UNITED STATES OF AMERICA

$50

Just in at Tone Chasers Music is this vintage Harmony tailpiece in very good condition. As pictured.

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https: / / www facebook com / tonechasersmusic

I ONLY ACCEPT PAYMENTS FACILITATED THROUGH EBAY. I DO NOT DO IN PERSON DEALS WITH FIRST TIME CLIENTS. I SHIP USPS FLATRATE TO THE 48 STATES ONLY. I ONLY SHIP INTERNATIONALLY USING THE EBAY GLOBAL SHIPPING PROGRAM. I ONLY SHIP TO THE ADDRESS PROVIDED TO PAYPAL AND EBAY. PLEASE ASK ANY QUESTIONS PRIOR TO ... more
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Vintage 1950??s Wooden Harmony Patrician Archtop Guitar 40??

Vintage 1950??s Wooden Harmony Patrician Archtop Guitar 40??

Akron, Ohio, 443**, UNITED STATES OF AMERICA

$335

Vintage 1950??s Wooden Harmony Patrician Archtop Guitar 40??.
Found at an estate sale and left in original condition
See photos for details
Smoke free
Ships next day
Thanks for shopping!
... more
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Vintage 1950s USA HARMONY Guitar Strap Button End Pin Wood Kay National

Vintage 1950s USA HARMONY Guitar Strap Button End Pin Wood Kay National

Plano, Texas, 750**, UNITED STATES OF AMERICA

$39

Vintage 1960's USA HARMONY Guitar Strap Button End Pin ?? Wood construction, light patina, see all pics for dimensions / fit for your application. Original vintage KAY SILVERTONE, Harmony, National, Thanks for looking!
... more
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1950s Harmony 2 pickup Vintage Archtop Jazz Guitar

1950's Harmony 2 pickup Vintage Archtop Jazz Guitar

Mesquite, Texas, 751**, UNITED STATES OF AMERICA

$1800

Description: You are purchasing a Harmony Archtop Jazz Guitar. Plays and sounds great without any issues and is ready to be a reliable workhorse in your arsenal today. Has lots of wear and dings and some extra holes. Sold as is. Please inquire with any questions you may have prior to purchase
Shipping: $100 00 shipping to the Lower 48 States! We ship overseas. Overseas shipping prices will vary. Overseas buyers pay their own import taxes Payment: We accept Paypal for your convenience. ... more
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Harmony Master H945 Arch top F Hole Accoustic Guitar Sunburst 1960s Steel Reinfo

Harmony Master H945 Arch top F Hole Accoustic Guitar Sunburst 1960s Steel Reinfo

Van Buren, Arkansas, 729**, UNITED STATES OF AMERICA

$600

This vintage Harmony Master H945 acoustic guitar features an arch top F hole design with a beautiful sunburst body color. The body material is made of birch, while the neck material is maple, providing a sturdy and reliable construction. With 19 frets and a string configuration of 6 strings, this guitar is perfect for intermediate players looking for a high-quality instrument.
The fretboard material is made of rosewood and ebony, and the right-handed guitar is designed with a jazz F hole ... more
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Vintage 1950s 1960s Harmony Stella Acoustic Parlor Guitar Restoration or Parts

Vintage 1950s 1960s Harmony Stella Acoustic Parlor Guitar Restoration or Parts

Fortuna, California, 955**, UNITED STATES OF AMERICA

$35

Vintage 1950s 1960s Harmony Stella Acoustic Parlor Guitar Restoration or Parts Wonderful vintage guitar that has had some hard knocks, but still has some good bones. Measures approx 36 inches long and 13 25 inches wide. The neck appear straight and is well attached, as is the top and bottom. Note that cracks on the sides on either side of the neck. The tailpiece appears original as well as the wooden bridge. The nut appears fashioned out of a dowel! Note one machine is missing its ... more
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1971 Selmer guitar catalogue

1971 Selmer guitar catalogueScan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.

1968 Selmer guitar catalogue

1968 Selmer guitar catalogueScan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini

1961 Hofner Colorama I

1961 Hofner Colorama IHofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.

1971 Commodore N25 (Matsumoku)

1971 Commodore N25 (Matsumoku)Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.

1960 Hofner Colorama II

1960 Hofner Colorama IIThe Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.

1971 Epiphone 1820 bass (ET-280)

1971 Epiphone 1820 (ET-280) bassBy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.

1981 Gibson Marauder

1981 Gibson MarauderProduction of Bill Lawrence's Gibson Marauder began in 1974, with production peaking in 1978. But by 1980 the model was officially discontinued, though very small numbers slipped out as late as spring 1981. Over 7000 examples shipped between 1974 and 1979, and although no totals are available for 1980 and 1981, it is unlikely production reached three figures in either of these years. These final Marauders were all assembled at the Gibson Nashville plant, and had some nice features not available through the later years of production, such as a rosewood fretboard, and in this case, an opaque 'Devil Red' finish. It's a great looking and fine playing guitar!

1971 'Pick Epiphone' Catalog

1971 Pick Epiphone catalogWhen Epiphone production moved from Kalamazoo to the Matsumoku plant in Japan, a whole new range of electric, flattop and classic acoustic guitars was launched. Between late 1970 and 1972 the new models were launched and refined. This 'folder' catalog contains various inserts released over these years detailing four electric six-strings (ET-270, ET-275, ET-278, and thinline EA-250), three bass guitars (ET-280, ET-285, and thinline EA-260), three folk/steel acoustics, four jumbo flattop acoustics, two 12-string jumbos, four classic acoustics, and a banjo.

1981 'Gibson Specials' Pre-Owners Manual

1981 Gibson Specials Pre-Owners Manual'Gibson Specials' was part of the June 1981 pre-owners manual series, but unlike the other folders contained a mish-mash of different guitars: limited editions, test marketing and close outs. "You will find the unusual, the brand-new, and the bargain within this folder". End of line 70s guitars like the Marauder, S-1, and L-6S Custom mixed in with brand new models the The V, The Explorer and the Flying V Bass.
It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The "SG" Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V Bass

1970s Shaftesbury 3263 bass

1970s Shaftesbury 3263 bassRose-Morris were selling Shaftesbury-branded Rickenbacker copy instruments from the late 1960s right through the 1970s. The 3263 bass was one of the first models, (alongside the 3261 six string and 3262 twelve string) available from late 1968 until about 1974. The earliest incarnation was a set neck bass, produced very briefly in Japan. But production quickly moved to Italy. This bolt-on neck example was built by Eko, in Recanati, using the same hardware and pickups as fitted to Eko, and Vox basses built around the same time. It's certainly a fine looking bass, and not a bad player either.

1961 Hohner Zambesi

1961 Hohner ZambesiThis very early, and pretty rare British-built guitar is branded Hohner London. Hohner were, of course, a German company, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the 1960s. This model, along with the Hohner Amazon and (particularly) the Hohner Holborn, bear some similarity with Vox guitars of the same period; furniture manufacturer Stuart Darkins constructed bodies and necks for both brands, with Fenton Weill assembling them using their hardware and pickups. These guitars do have some hardware peculiarities, and they are not the most adjustable of instruments, but they actually play very nicely, being solidly built out of some very nice woods. Check out the video on this page.

1963 Vox Super Ace

1963 Vox Super AceThe Vox Super Ace was a mid-priced British solid body electric guitar, produced by JMI at their factory in Dartford, Kent. It was broadly modelled on the Fender Stratocaster, and a sibling model to the dual-pickup Vox Ace. Both the Ace, and Super Ace (along with several other models), were redesigned in 1963 with a new body shape, headstock style, and pickup layout - only increasing the resemblance to the aforementioned Fender. The Super Ace had a 1963 price tag of £47 5S. It's a pretty nice playing guitar with some lovely sounds - check out the videos on this page, and in the Vintage Guitar and Bass supporting members area

1966 Vox New Escort

1966 Vox New EscortThe Vox New Escort was Vox's version of the Fender Telecaster, at a time when American guitars were out of reach for most British musicians. It was made by JMI in England, for the British market, and unlike the majority of other models, didn't have an Italian-made equivalent. But the New Escort wasn't a slavish Fender copy, adding Vox's stylish teardrop headstock to the tele-style body, with a stop tailpiece and two Vox V2 single coil pickups. And it's a pretty substantial, and nice playing guitar, with a very comfortable neck. Check out the images, specifications, and watch a video of it in action. There is also extra content in the vintageguitarandbass supporting members area.

1969 Fender catalog, Fender Lovin' Care

1969 Fender catalog, Fender Lovin CareCatalog scan. The 1969 Fender Lovin' Care catalog consisted of 48 pages of electric guitars, basses, amplifiers, steel guitars, acoustic guitars, banjos and keyboards. Like the previous catalog, this featured the company's guitars in a variety of interesting settings around California, from the Whiskey-A-Go-Go, to the Hollywood Bowl. Several instruments were making their first appearance amongst it's pages: the Telecaster bass, Montego and LTD jazz guitars, and the Redondo acoustic. It was the final catalog appearance, however, of the Electric XII, Bass V, Duo-Sonic, Coronado I and Coronado Bass I.

1973 Eko Ranger Folk

1973 Eko Ranger FolkThe Eko Ranger series of guitars was incredibly popular in the second half of the 1960s and through the 1970s, selling in very large numbers. The Ranger Folk was 1 1/4" smaller, and 1" shallower than the Ranger VI and XII - and with a narrower waist. Not a bad guitar; a little quiet, but pretty playable. These were great value in 1973, and because they sold so many, they are easy to find and excellent value today.

1966 Vox Symphonic bass guitar

1966 Vox Symphonic bass guitarThe Symphonic bass was built in the UK, by Vox parent company JMI. It was the Vox equivalent to the Fender Precision bass, and was one of the most expensive Vox guitars produced. It was actually a great playing bass, rather similar to the Precision in feel and sound, but was probably just too expensive compared to an actual Fender and consequently sold poorly. When Vox hit financial problems in 1968, unsold guitars and basses were passed on to Dallas Arbiter, who briefly sold the excess Symphonic bass stock as model 4537. This bass, although with a neck date of February 1966, was most likely one of the unsold Vox guitars sold on by Dallas Arbiter. Check out the bass, and the two video demos through 1960s Ampeg and WEM amplifiers.

1968 Shaftesbury 'Electric Guitars' catalog

1968 Shaftesbury catalogThe 1968 Shaftesbury 'Electric Guitars' catalog was just four pages long, and contained four guitar models: the six string Barney Kessel-style 3264; and three Rickenbacker-styled semi-acoustic models: the six-string 3261, the twelve string 3262 and the 3263 bass. Shaftesbury was the house-brand of major UK distributor Rose-Morris, and seems to have been launched as a response to the company's loss of it's distribution deal with Rickenbacker. The guitars were mid-priced, and built in (initially) Japan, and later Italy, by Eko

1970 Rose-Morris 'Exciting Electrics Wonderful Westerns Celebrated Classics' catalog

1970 Rose_Morris catalog1970 Rose-Morris catalog, dated April 1970. It featured 6 electric guitars, 32 acoustic guitars, 3 basses and 1 steel guitar. It contains the following instruments, over 20 pages: Electric guitars: Shaftesbury 3261, 3262, 3264, 3265, 3400; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Eko Rio Bravo, Rio Bravo 12, Ranchero, Ranchero 12, Colorado, Ranger, Ranger Folk, Ranger 12; Aria 1674, 1675, 1676, 1679, 1680, 1695, 'John Pearse' Jumbo, 'John Pearse' Folk; Rose-Morris 15-11, Kansas, Georgian, Florida; Suzuki 1663, 1664, 1665, 3054, 3055, 3060; Tatay 1713, 1714, 1715; Peerless 3052; Steel guitar: Aria 3425

1971 Rose-Morris 'Exciting Electrics Wonderful Westerns' catalog

1971 Rose_Morris catalogThe sixteen-page 1971 Rose-Morris catalog featured electric guitars by Rose-Morris' own brand, Shaftesbury, and budget brand Top Twenty; aswell as acoustics by Eko, Aria, and for the first time Ovation. The catalog contains the following instruments: Electric guitars: Shaftesbury 3261, 3264, 3265, 3400, 3402; Top Twenty 1970; Bass: Shaftesbury 3263, 3266; Top Twenty 1971; Acoustic guitars: Ovation: Balladeer, 12 String, Glen Campbell, Glen Campbell 12 string; Eko Rio Bravo, Rio Bravo 12, Ranger, Ranger Folk, Ranger 12, Colorado, Ranchero, Ranchero 12, Studio 'L'; Rose-Morris Florida; Aria 'John Pearse' Jumbo, 'John Pearse' Folk

1972 Fender Precision bass

1972 Fender PrecisionA detailed look at an early 1970s Fender Precision bass guitar in custom black finish, with rosewood fretboard. 1972 list price, $307.50. The Fender Precision had been shipping since at least very early 1952 - with just one re-design circa 1957. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. Fender got it right first time around, and although there are numerous minor cosmetic differences, the essence of this bass is effectively the same as it was in '52: a simple, single pickup instrument with a GREAT sound. Check out the demo video through an old Ampeg B15. It's no wonder this is the bass that everybody wants!

1967 Vox Stroller

1967 Vox StrollerThe Vox Stroller was the brand's entry level electric solid body guitar, fitted with just one pickup and a fixed tailpiece. Although aimed at student guitarists, it wasn't a terrible instrument, but did lack somewhat in adjustability, having no accessible truss rod and only a floating rosewood bridge. But this example is actually quite an improvement on earlier versions, with a standard 1/4" jack and a solid mahogany body. 1967 price £18 2s. JMI ceased UK guitar production in late '67, and combined with decreasing demand for the Stroller, this surely must be one of the last examples shipped.

1963 Vox Clubman Bass (left handed)

1963 Vox Clubman Bass left handedA nice example of the Vox Clubman II bass, built by JMI in Dartford, Kent in 1963. This is a lightweight bass, short (30") scale and very easy to play. It is an early example, and as such has a thin black scratchplate and side mounted, coaxial output jack. JMI offered left handed examples of their solid body Vox guitars and basses at 10% premium. Production numbers are unclear, but left-handed examples rarely come up for sale

1977 Gibson ES Artist 'prototype'

1977 Gibson ES Artist prototypeNot to be confused with the Gibson ES Artist launched by Gibson in 1979; this ES Artist was an early model designed by the Gibson research and development team in Kalamazoo in 1977, the instruments themselves constructed by Gibson artist Chuck Burge. It was planned for launch as a high end semi acoustic with 335-style construction (central maple block) and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Apparently, several examples were produced with varying specifications, though exactly how many actually left the Kalamazoo plant is unclear. Certainly two guitars were sold to LaVonne Music by Gibson in around 1980. Read more about the development of this guitar, with details from Chuck Burge and the story of it's sale to LaVonne music

1959 Hofner Committee

1959 Hofner CommitteeThe Hofner Committee was a truly beautiful guitar produced in Germany, primarily for the UK market. It was a large bodied (initially 17 1/2") guitar with a carved spruce top, available as an acoustic or electric guitar. By the early sixties the carved top was replaced with a laminate, and although still a very fine guitar, the earlier carved top examples, with frondose headstock (like the example shown here) are far more highly prized amongst musicians and vintage guitar collectors.

1965 Gretsch Chet Atkins Tennessean

1965 Gretsch Chet Atkins TennesseanThe Gretsch Chet Atkins Tennessean, or model 6119 was Gretsch's best selling hollow body of the 1960s. This wonderfully faded example from 1965 was originally Dark Cherry Red, but has turned a mid-orange brown. The original color, however, can be seen underneath the pickup surrounds. 1965 specs: maple body, two-piece neck, Brazilian rosewood fretboard and Hi-Lo 'Tron single coil pickups. Nickel plated Gretsch Bigsby tailpiece.

1965 Gretsch 'For the Spectacular Sound of the Times' guitar and amp catalog

1965 Gretsch catalogThe 1965 Gretsch catalog, or catalog #32, featured 10 hollow body electric guitars, including the newly launched Gretsch Viking; four solid body electrics, including the Astro Jet - making it's only catalog appearance; just one bass, the single pickup PX6070; nine acoustics and 12 tube amplifiers. Pride of place went to the Chet Atkins Country Gentleman that adorned both the front and back covers. 24 pages, six of which are in full color.

Guitar Repair: fixing fret buzz and sharp fret ends

Guitar Repair: fixing fret buzz and sharp fret endsLoose frets are especially problematic in certain old guitars, but are generally very easy to fix. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Fixing loose frets can eliminate fret buzz, remove sharp fret ends, and greatly improve the tone of any guitar. If your luthier bill will be greater than the value of your guitar, definitely time to have a go yourself!

1966 Hagstrom 'worlds fastest playing neck' catalog (Merson USA)

1966 Hagstrom guitar catalogHagstrom guitars were distributed in the mid-1960s United States by Merson of USA. This eight page 'worlds fastest playing neck' catalog, printed in two-colors contained six solid body electrics, three solid body basses, two electric acoustic guitars, two electric acoustic basses and five acoustics.

1965 Hofner President

1965 Hofner PresidentThe President was produced by Hofner in Bubenreuth, Germany, specifically for Selmer, who distributed the brand in the United Kingdom, Australia, New Zealand, South Africa, and other commonwealth nations. The President was a hollow body electric acoustic, available as a full body or thinline, and with blonde or brunette finish. It was a great playing guitar that sold fairly well in the second half of the 1950s, throughout the 1960s, and into the very early 1970s. The example shown here is a full-body depth guitar in blonde - and as a 1965 guitar, one of the last to feature the rounded Venetian cutaway. From late 1965 until 1972, the President sported a sharp Florentine cut. Naturally, such an electric acoustic suggests jazz and blues, but many of the original British Hofner President players were part of the rock 'n roll, skiffle and beat scenes of the late 50s and early 60s.

1963 1964 Fender catalog

Fender 1963 catalogue"The Choice of Professional and Student Musicians Everywhere" This eight page catalogue was included as an insert in the 1963 annual "school music" issue of Downbeat magazine (September 1963). As well as keyboards and pedal steels, this catalog contains seven guitars, three basses and ten amplifiers - from student guitars such as the Musicmaster and Duotone to professional models like the new Jaguar.